Novice (angleščina) - New York Times

Through Violent Memes on Social Media, Trump Promotes the War on Iran
11. March 2026 (10:55)
A series of White House social-media videos turn the carnage in Iran into gleeful entertainment. (New York Times)
To Pay the Bills, a Cult Band Becomes a Doors Tribute Act
11. March 2026 (10:33)
With even critically acclaimed bands struggling to make a living, the British group Field Music has come up with a novel way to top up its income. (New York Times)
Lily Allen Is on Tour. She Brought Along Some Receipts.
11. March 2026 (10:03)
The designer of Ms. Allen’s “West End Girl” tour talks about the scene with the artist pulling cloth printed with receipts that has become the subject of online speculation. (New York Times)
Lily Allen Is on Tour. She Brought Along Some Receipts.
11. March 2026 (10:03)
The designer of Ms. Allen’s “West End Girl” tour talks about the scene with the artist pulling cloth printed with receipts that has become the subject of online speculation. (New York Times)
Jessie Buckley Became a Mother for ‘Hamnet.’ Then She Became a Real One. (Encore)
11. March 2026 (10:03)
The Oscar-nominated actress talks about the primal love and grief of motherhood. (New York Times)
At This Festival, the Dead of Winter Is the Life of the Party
11. March 2026 (10:02)
In the Hudson Valley town of Chatham, N.Y., a weeklong event called “The Dark” took over theaters, bars, a church, a bookshop, a library and even a sauna. (New York Times)
They Don’t Want Their Company’s Surveillance Tool Used by ICE
11. March 2026 (10:02)
 (New York Times)
Slowly, Slowly, ‘Darwin’s Finches of the Snail World’ Return From Near Extinction
11. March 2026 (10:02)
Partula snails all but vanished from Polynesia after the arrival of a carnivorous foreign snail. But a global alliance of zoos has worked to bring them back. (New York Times)
‘Wool Skirts’ Reveals Fashion History Through Thrift-Store Finds
11. March 2026 (10:01)
“Wool Skirts,” an exhibition of one woman’s 30-year thrift-store collection, reveals a rich tapestry of clothing manufacturing and feminist history. (New York Times)