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‘A Little Prayer,’ ‘Splitsville’ and More Streaming Gems
25. March 2026 (10:01)
Two of last year’s best indies — a family drama and a no-holds-barred sex comedy — are among the many treasures on your subscription streaming services this month. (New York Times)

How ‘One Piece’ Fixed a Common Problem for Anime Adaptations
25. March 2026 (10:00)
The Netflix hit uses a combination of craft and collaboration to tackle one of the trickiest challenges for live-action anime adaptations: wigs. (New York Times)

Heirs of Dave the Potter, the Enslaved Artist, Are Battling to Recover His Legacy
25. March 2026 (10:00)
The descendants of David Drake learned who he was 10 years ago. They see his jars as his artistic and spiritual inheritance — and their own. (New York Times)

Late Night Questions the ‘Very Big Present’ Trump Got From Iran
25. March 2026 (06:46)
Josh Johnson was puzzled by what kind of gift the president could have received “from the people you are currently at war with.” (New York Times)

Through Bamboo, the Artist Lap-See Lam Explores Her Family’s History
24. March 2026 (21:12)
In a homecoming of sorts, Lap-See Lam has brought her multidisciplinary works to Hong Kong for her first solo show in Asia. (New York Times)

11 Robyn Bangers for the Pop Star’s Long-Awaited Return
24. March 2026 (20:38)
(New York Times)

Mike Vernon, Who Helped Spark the British Blues Boom, Dies at 81
24. March 2026 (17:28)
(New York Times)

Robert White, Tenor Renowned for Irish Ballads, Dies at 89
24. March 2026 (16:42)
A performer from childhood, he became a versatile singer in the mold of the Irish superstar James McCormack, adept at both classical repertoire and traditional songs. (New York Times)

David A. Ross Sought Epstein’s Help to Build Art Museums. Now He’s Facing the Fallout.
24. March 2026 (16:32)
He mastered the world of the “Epstein Class” to build great museums. Now he’s confronting the cost. (New York Times)

The Final, Flying Colors of Matisse’s ‘Second Life’
24. March 2026 (12:12)
A breathtaking Paris show challenges the conventional idea that artists taper off at the end of their lives. (New York Times)