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Larry Mitchell and Ned Asta’s Queer Cult Classic Debuts in New York
04. December 2025 (18:22)
(New York Times)

In Ephrat Asherie’s ‘Shadow Cities,’ Club Dance Meets Latin Jazz
04. December 2025 (17:57)
(New York Times)

‘La Grazia’ Review: Paolo Sorrentino’s Portrait of Waning Power
04. December 2025 (17:18)
The director reunites with Toni Servillo, casting the astonishingly expressive actor as a fictional Italian president facing the end of his term. (New York Times)

Jennifer Packer: Art at the Cosmic Edges of Longing
04. December 2025 (16:25)
Where does a painter’s grief go? Onto the canvas, in spectral realms. (New York Times)

Drag Antics and ‘a Political Bomb’: Bringing ‘La Cage aux Folles’ Home
04. December 2025 (13:13)
(New York Times)

Best TV Shows of 2025
04. December 2025 (11:04)
Many of the year’s best series seemed to be in conversation with one another, including “Severance,” “The Pitt,” “Andor,” “Pluribus,” “The Lowdown” and others. (New York Times)

Arthur Szyk: Spotlight Returns to a Forgotten ‘Soldier in Art’
04. December 2025 (11:03)
(New York Times)

‘Merrily We Roll Along’ Review: It’s a Hit (Reprise)
04. December 2025 (11:03)
(New York Times)

‘Rosemead’ Review: A Mother and Her Troubled Son
04. December 2025 (11:03)
In this drama, Lucy Liu offers a compassionate and grim portrait of the lengths a mother will go to protect — and thwart — her teenage son. (New York Times)

‘Little Trouble Girls’ Review: Teenage Infatuation
04. December 2025 (11:03)
Despite awareness of taboos, two girls in a Catholic school choir are drawn to each other in this feature debut by the Slovenian director Urska Djukic. (New York Times)