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Dance Review: Eiko Otake and Wen Hui’s Bodily Traces of War
22. October 2025 (18:23)
In “What Is War,” two singular artists, Eiko Otake and Wen Hui, grapple with memories of China and Japan in World War II. (New York Times)

‘Blue Cowboy’ Review: A Surprising Love Rides Into Town
22. October 2025 (18:00)
(New York Times)

New York Names a Street in Honor of Jean-Michel Basquiat
22. October 2025 (17:59)
(New York Times)

How Debora Cahn Negotiates ‘The Diplomat’
22. October 2025 (17:00)
Cahn, the creator of the Netflix political drama starring Keri Russell, discusses Season 3 and how many more twists the show can reasonably pull off. (New York Times)

‘The Hand That Rocks the Cradle’ Review: Down Comes Baby
22. October 2025 (14:02)
A reimagined version of the 1992 film, directed by Michelle Garza Cervera, manages to be more chilly than chilling. (New York Times)

Kathryn Bigelow Returns to the Intersection of Facts and Thrills
22. October 2025 (11:03)
Her newest, “A House of Dynamite,” about a nuclear missile headed to the U.S., takes up themes of power and violence that have long interested her. (New York Times)

Halloween Movie Watch Party: Let’s All ‘Scream’
22. October 2025 (11:02)
Revisit Wes Craven’s 1996 classic this weekend and join us in the chat. (New York Times)

“Modern Love”: What is a Mistress Dispeller?
22. October 2025 (11:01)
A “Mistress Dispeller” is an expert at infidelity: part marriage counselor, part private eye. The filmmaker Elizabeth Lo followed one mistress dispeller for three years, and it had a surprising effect on her own love life. (New York Times)

For Devon Sawa, the ’90s Never Went Away
22. October 2025 (11:01)
Devon Sawa made millennial girls swoon in “Casper” and “Now and Then.” Thirty years later, he says he’s made peace with his heartthrob era. (New York Times)